Difference between revisions of "Shinjo and Jozan's Seduction Techniques"
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Shinjo's preferred seduction technique from primary school, which fell into disfavor in his later Imperial City years. The playwright makes a show of grief or sadness in front of his intended, makes eye contact from across the room to give permission for them to join him, lets the target console him or cheer him up, finalizing with some sort of offer to return the favor somewhere private. | Shinjo's preferred seduction technique from primary school, which fell into disfavor in his later Imperial City years. The playwright makes a show of grief or sadness in front of his intended, makes eye contact from across the room to give permission for them to join him, lets the target console him or cheer him up, finalizing with some sort of offer to return the favor somewhere private. | ||
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| + | '''Restful Maiden Technique''' | ||
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| + | Sorae's only seduction move. | ||
Revision as of 15:04, 28 October 2012
Precocious Neophyte Lure
Jozan's preferred seduction technique, the poet finds some skill at which the target considers themselves adept (be it dance, the gardens of Lord's Crossing, Shogunate pillow tales), expresses interest and some knowledge to open the door, makes an intentional misstep and bemoaning lack of talent in the area to draw them into assistance, then after teaching he shows improvement, followed by an innovative expression from an unexpected angle to restore appeal of mystery.
Languid Heart Malady
Shinjo's preferred seduction technique from primary school, which fell into disfavor in his later Imperial City years. The playwright makes a show of grief or sadness in front of his intended, makes eye contact from across the room to give permission for them to join him, lets the target console him or cheer him up, finalizing with some sort of offer to return the favor somewhere private.
Restful Maiden Technique
Sorae's only seduction move.
